Memorably set between the two world wars, this adaptation of Trevor Nunn's award-winning 1999 Royal National Theatre production of The Merchant of Venice features a superlative performance from Henry Goodman as Shylock.

An Edwardian take on the Shakespeare play starring Laurence Olivier.

Director Abigail Graham’s contemporary take on The Merchant of Venice shows Shakespeare’s disturbing tale in a new light. Shylock (Adrian Schiller) and Jessica (Eleanor Wyld) reclaim their stories in Shakespeare's Globe's ‘heart-wrenching’ (The Guardian) 2021 production, played by candlelight and filmed live in the Sam Wanamaker Playhouse.

A BBC schools programme broadcast about Tom Stoppard’s abridged version of the play which was performed by the National Youth Theatre at the Royal Opera House in London. The televised recording of the performance is preceded by comments on the work in progress from stage director Paul Roseby and writer Tom Stoppard. Jeremy Irons, who played Antonio in the film version of The Merchant of Venice (2004), comments on the merits of producing a play with young actors.

After her stay-at-home husband leaves her, a workaholic lawyer finds that she is not completely up to the tasks of caring for her young son, ailing father and household all by herself.

In the melting pot of Venice, trade is God. With its ships plying the globe, the city opens its arms to all - as long as they come prepared to do business and there is profit to be made. When the gold is flowing all is well - but when a contract between Bassanio and Shylock is broken, simmering racial tensions boil over. A wronged father, and despised outsider, Shylock looks to exact the ultimate price for a deal sealed in blood.

In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg's Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album's haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. "Exile on Main Street" is released to mediocre reviews that soon give way to lionization.

Reencountering the only man she ever loved is Gringa’s dream. She is the owner of a brothel in the interior of Brazil and even though she is blind and very sick, she insists on fulfilling her last wish: to go to Venice to apologize to the lover she abandoned decades ago. To take her to the Italian city, Tonho, Rita and the other girls who work for Gringa come up with a fantastic plan with help from a circus troupe.